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Member’s Success Story:

Hi Dec

I bought a Mac G5 to use totally for my recording.

Yes it was expensive (compared to a PC) but it was probably the best purchase I ever made.

It looks great, it records brilliantly (I use Logic) and the thing has never let me down.
It’s never crashed once.

Mac is the industry standard creative platform…..graphics and sound. End of……

cheers
Paul Hartley
 [Serious Writers Guild Member]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Would you like to hear Dec tell you, himself, about 'The Art Of Live Performing' program? Takes about 10 secs to download - then you can hear Dec Cluskey, our founder, himself - talking to you"Click here to listen to Dec tell you about Liveperforming.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 

 

 

 

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If you write songs, click here for The Serious Writers Guild at Makehits.com

Do you want help?  You are an unsigned band and want to be in recording studios - writing hit tunes and making hit records.  Do you want to write a number one?

 

 

 

 

 

 

Are you a musician in the Music Industry and you want to be a Movie star or Soap star...an actor? Are you performing and you want a recording contract, a record deal?

 

 

 

 

"Home Studio"

 

 

    

A typical home studio [not mine!]

The 2011 update on the best home studio thinking today?

Check out the previous Article at art029 re. how to have the professional standard in your home studio - the best, for the least cost

 

The ideas are constantly changing although certain items, like near field monitors never seem to.

A GREAT HOME STUDIO?  YOUR OWN HOME STUDIO? THE BEST HOME STUDIO?  But how much will it cost?  Mac or PC?  Cubase or Protools?  Dec gives you the latest low-down.

All the ideas in art029 are absolutely kosher [correct]. There are a few additional up to the second ideas that I have been looking at and I shall let you in on those here.

My take on all this home studio stuff is that you should get to know the equipment used in all major studios throughout the world and aspire to achieve that standard in your own home studio tailored to your own uses.  

I recently advised one of the members on a complete studio set in a Studio consultation and was amazed at how little the whole thing cost ... and he ended up with a phenomenally powerful studio ... in a caravan home! So it can be done! Easily.

As a present he gave me the latest East/West Symphonic Choirs programme ... but more on that later.

How much did it all cost?  Well I would suggest you set your sights on the equipment below and aim to spend less than £3,000 ... in fact, well less than £3,000.  For that you will have a stunning, professional, home studio.

Free|tips writing acting|music|producing|songwriting What computer in your home studio?

Still the same ... with no argument accepted. I just could not conceive of using a PC for all the recording and video work I do ... no way! The speed, reliability and sheer convenience of Mac is not negotiable.

The Industry standard computer is the Apple Macintosh ….

Latest is Mac Pro with a choice of 4, 6, 8 or 12 cores of processing power. Just imagine the power and speed?

Just be aware that Apple have always had a way of upgrading their computer systems ... G4 then G5 ... with programmes called all sorts of names Tiger, Leapord now Snow Leapord and going to Lion.

So once you step off into the Apple world you are in for upgrading and upgrading.

Running the Apple Leopard programme platform, G4 is quite acceptable and powerful for home use.…. I was running G4 until recently and now run G5 dual core with the latest Leopard upgrade in my home studio … I run two display monitors … one for edit and one for mixer display. [check Ebay to familiarise yourself with the pricing]
  Apple Mac G5 Tower   Freecom External Hard Drive

 Apart from knowing that you have the industry standard computer, Mac is just the easiest to work on and work with ... adding hardware is an absolute doddle ... even to me ... and working with it knocks a PC into the last century.

I use this solely for music and for editting videos ... the video programmes are just wonderful - Imovies and Final Cut with a nifty IDVD for making your own DVD's ... just stunning ... wipes the floor with anything else.

I have a number of external drives ... so my advice, and the advice of those who know, is to have these and use them. Every album project I do has everything copied to an external drive specific for that album or project. and of course I have a main back up Hard Drive which has a further back up copy of each toon.

Finally, as Apple recommend, I have another Hard Drive in constant use using the on board 'TimeSpace' programme which continually takes snaphots of the entire computer on an ongoing basis .... does a PC do all that?

Thus the Mac is clean and working to it’s maximum potential with no clutter in the memory. All the silly additional programmes have been stripped out. Only Toast Titanium is necessary for handling and sending MP3’s.

All members of The Serious Writers Guild can call Dec direct on his private phone line to his desk to discuss any points. 


Free|tips writing acting|music|producing|songwriting What Sequencing/Recording software in your home studio?

Protools is the most common professional standard sequencing and recording software right throughout the Industry …. Don’t even consider anything else …. It is standard through the world. A few use Logic 8 … usually for orchestral or dance music in their home studio.

In the last few years Sonar has got a foothold as it is very user friendly for disabled folk particularly partially sighted music makers.

The latest version is Protools 9 … just released but needs an Intel equipped Mac to facilitate it.

Free|tips writing acting|music|producing|songwriting What Sequencing/Recording hardware in your home studio?

You have to use a DAW [Digital Audio Workstation] to interface between your microphones, guitars etc. and the computer software ... in other words, you have to plug into the hardware box and it converts the signal to a digital stream that the computer can interpret.

Recently Digidesign [or Avid as it is now known] have allowed other DAW makers to use ProTools software ... so the market has opened up to the likes of Focurite ...

There are 3 popular methods to interface with Protools … HD [the massive Hard Disc system used in the major studios] … LE [typically through Digidesign 003 Rack] and the MBox [starter home system]

ProTools HD 96 inputs/ouputs

Digidesign 003 Rack Factory

Digidesign MBOX Pro front/rear



As a DAW [Digital Audio Workstation] interface I use the Digidesign 003 Rack Factory … 8 inputs, 8 outputs … perfect for professional home studio use … used by most successful music guys.

Go to the Digidesign site at http://www.digidesign.com … they make the most respected hardware packages for Protools .. right up to the mighty studio systems ….. HD [Hard Disc] … as I said, most top producers use 003 Rack in their home based studios [as I do] … MBox is the beginner's entry level interface.

At the Digidesign site:

Pro Tools HD Systems [the major studio stuff … price approx £10,000 before all the plug-ins]
To view compatibility information for a particular version of Pro Tools HD, select the Pro Tools HD version from the list under Pro Tools HD in the Support & Downloads section.

Pro Tools LE Systems [price around £800 for 003]
To view compatibility information for a particular version of Pro Tools LE for 003 Family, Digi 002 Family, Mbox 2 Family, and original Mbox systems, select the Pro Tools LE version from the list under Pro Tools LE in the Support & Downloads section.

Pro Tools M-Powered & Pro Tools Academic Systems [around £250 for MBox]
To view compatibility information for a particular version of Pro Tools M-Powered for qualified M-Audio systems, select the M-Powered or Academic version from the list under Pro Tools M-Powered in the Support & Downloads section.

N.B. I am advised that AVID, who are the parent company controlling Protools, Digidesign and M-Audio [previously Midiman] intend to re-brand all products with the name AVID ... confusing at the moment when looking at Protools DAW equipment.

Free|tips writing acting|music|producing|songwriting Why not Windows PC and Cubase 6, FL Studio 9, Ableton Live 8, Reason 5 and Record 1.5, Cakewalk Sonar, Acid Pro 7, Adobe Audition 3, Magix Samplitude 11 Pro, Presonus Studio One Pro etc. in your home studio?


Be aware that once you get talked into PC you will immediately be on a tread mill of spend, spend, spend to try and get the same results that you can get from a Mac and Protools straight away.  Straight out of the box.

Once you get the first bite from a Record company for your home made music they will ask the immortal question: "do you have the ProTools files so that we can have a remix done?" You are then well and truly 'stuffed'.

Free|tips writing acting|music|producing|songwriting What keyboards?  Software plug-ins or real keyboards  in your home studio?

The drift is toward plug-in software based sound modules ... all of a sudden they have become very, very useable and sound great.


The problem with software is that you are always limited by the CPU [computer processing unit] power of the computer … but then the computers have suddenly upped their game considerably.

ProTools tend to have the best on-board stuff and insist on giving it to you FREE! Yep!

'Structure' is their flag ship plug-in sound module and it is tasty ... giving you not only great synth and real instruement sounds but wonderful individual drum samples and a phenomenal library of riffs and loops which are rediculously easy to use ... talk to me if you are a member of Serious Writers Guild ... I will talk you through them.

The other sound modules are equally as stunning on Pro Tools and, of course, you can search for the many other manufacturers of software sound modules that take your fancy.

You will love 'Mini Grand' which is quite the most wonderful piano you have ever played.

East West and such companies are now selling high end sample programmes such as Symphonic Choirs ... a software which allows you to type in a phrase and yes, the choir will sing it.

Likewise there are Vienna Strings bringing orchestras right into your computer ... there are Steinways and Bosendorfer pianos with facilities for having the sound through variously positioned microphones.

But all of these come at a cost and also a requirement for huge memory space ... typically 35-40 GBytes per programme. So a studio kitted out with a selection would have 600+ Gigabytes of memory with super fast retrieval speeds ... talk to me about these.

Another factor in the equation is the huge learning curve involved when it comes to the massive programmes ... you simply have to put the time aside to learn how to use them well.

  Typical CPU about an inch wide

The reverbs etc. are, to my mind, still constrained in their quality and generally are not to the highest excellence because of the CPU problem.

I use Korg Triton as a main keyboard … this acts as the main mother keyboard linked to all the other keyboards and sound modules through MIDI [Musicial Instrument Digital Interface] … Yamaha Motif is also still the other keyboard and sound module of choice.

N.B. Always use a powered Midi splitter rather than daisy chaining [from one unit to the next one] when sending MIDI information around your studio to different MIDI units ... otherwise the signal can deteriorate ...  Nexus and Midiman make good units.

  Korg Triton   Yamaha Motif Rack


Free|tips writing acting|music|producing|songwriting What Samplers?  Software or Hardware in your home studio?

My advice re. samplers in ART029 still stands up although many prefer on screen sampling. Here are the ancient but still very useable Akais.

    Akai S950   Akai S2000

Free|tips writing acting|music|producing|songwriting What Mixer?  On screen or a real mixer ... analogue or digital in your home studio?

My advice still remains the same although Digital mixers are becoming more and more accepted. Yes, you can mix on screen but then you are constrained to the CPU power of the computer and the quality of on-board effects.

As regards mixing I use 2 X 24 channel Soundcraft mixers in my home studio …. solid, well built and ultra reliable.  I use two so that I then get 6 Auxiliary sends on each desk for outboard effects … making 12 at my disposal instantly. Don’t touch Mackie or Behringer [except the XENYX Eurorack series]

 

Two Soundcraft 24 channel mixers?  Pretty powerful and sensible.

 

All members of The Serious Writers Guild can call Dec direct on his private phone line to his desk to discuss any points. 

 

Free|tips writing acting|music|producing|songwriting Digital desk in your home studio?

Digital desks are gaining in popularity and it is your choice, after all, whether you want the learning curve?.

  I am not impressed by the Yamaha LS9 mixing desk [my opinion?]

Free|tips writing acting|music|producing|songwriting Plug-in effects or stand alone rack mounted in your home studio?

My experience as below still tells me the same story.

Whilst the Protools onboard effects are Okay … I only use the Long Delay programme [you hear it on nearly every hit track today] … I prefer outboard effects … I have approx 13 from memory in my home studio …. My favourites are USA built … because you certainly hear them working … ART … Digitech … Multiverb … then Lexicon [the Industry standard for reverb] … Roland for its Roland RSS effects: throws the repeats and choruses right out past the left/right speakers … I also have a few Zoom 1201 and 1204 … very clean and very reasonably priced. I go by the sound not by the price. Being a brand snob gives ‘branditis’  - a debilitating disease among music guys that is hard to get rid of [grin!] I must have been immunised against this at an early age? Ears tell you the quality … not price … or brand name.

The on-board effects on the Triton and Motif can by very nice.

Free|tips writing acting|music|producing|songwriting Self powered plug-ins in your home studio?

There is a type of self powered plug-in system which has it’s own CPU and thus operates independently of the computer. UAD are probably the best for these … I have looked at them and am personally not convinced that there is a benefit in using them. http://www.uaudio.com

The UAD series are reasonably priced but I have seen others with huge price tags ... I prefer to have the real thing!
 

  The UAD plug-in hardware - with it's own CPU - plugs into the Tower.


Free|tips writing acting|music|producing|songwriting Compressors in your home studio?

Compressors are the unsung heroes of hit recording … not understood by amateurs and novices but the successful guys know compressors inside out …. My essential compressor for lead vocals is still the TLA Audio Fatman 11 … stereo valve compressor used by all the top Hip Hop guys ….

  The incredible Fatman

You certainly hear it working …

Again, I am not impressed by the compressor plug-ins although I have used ‘Bomb Factory’ in the Protools set up …. Yes, you can hear it working but I much prefer the outboard sound.

Free|tips writing acting|music|producing|songwriting A dedicated drum sound module in your home studio?

I would consider a stand alone drum module … very quick, easy and handy to use … I use the Alesis DM5 as my main drum sound module … but am also using the on board ProTools stuff. The latest DM10 is a wonder ... check it out here: Alesis DM10 Demo

I always use drum samples, as well, to layer the sounds and get a perfect ‘for the track’, ‘new’, drum sound … then I sample that and keep it safe for re-use. Thus, my drum sounds are evolving with each project.


 

 

                                                               Alesis DM10 drum sound module

Free|tips writing acting|music|producing|songwriting What monitors in your home studio?

Monitors are the most important part of a studio set-up. All the great equipment is no good unless you hear it properly …


After sound proofing and insulating your home studio ensure that it is as dead sounding as possible … see http://www.makehits.co.uk/art019.htm for this advice.

Still the only monitors to use in your home studio are the ancient Yamaha NS10S …. Industry standard throughout the world, easily identified by their cute white cones and essential for mixing hit records … despite what the amateurs and novices say … and that is why you see them in every major studio … it is a constant, accurate, reference point right through the world. Hard to find but worth the search.

I recommend the Studiosound look-alikes SN10 to all Members of the Serious Writers Guild and have never had a complaint .. at £97? A silly price.

  Studiospares SN10   Yamaha NS10 - spot the difference?



Main massive studio speakers are simply personal choice ... you may be experienced and know the sound you want ... or you may be influenced by others or by reviews ... always remember that every speaker will sound totally different in every different acoustic environment.


Of course, it is essential to drive them with the biggest power amp you can afford [with no cooling fan] … I use an ancient Quad 303 for the NS10S … now can you find one of them? I also use a 1,000 watt Yamaha [with no fan … keeps the inherent noise down]

Some monitors are self powered ... making for a very efficient system.

Free|tips writing acting|music|producing|songwriting What microphones in your home studio?

Microphones are the easiest to choose … you need one good condenser mic. for vocals …. Neumann are Industry Standard but have a prohibitive price tag.  I use the Shure KSM27 mostly … a superb all round microphone that has featured on many of my huge selling tracks … the Shure SM58 is industry standard for vocals … and the SM57 for instrument and drum miking.

USB mics are beginning to make an impression ... used straight into your computing recording with USB ... I use a Monacor DM-500USB for talking stuff ... quite tasty.

monacor DM-500USB

Shure KSM27

Shure SM58

Shure SM57 with the only
guitar equipment to use

Free|tips writing acting|music|producing|songwriting What earphones in your home studio?

The last requirement for a good home studio, to ensure a professional standard, is earphones.  Essential, when recording, as you will most likely not have a live recording space separate to the control room.

Still the Industry standard, just like NS10S, is Beyer Dynamic DT100 …

    used in every major studio in the world and in TV and Radio. They are modular built so any part can be replaced if broken or damaged. Very high SPL and comfortable to use … with padding to isolate the sound from microphones etc. when tracking [playing or singing with a track to record].

I use these for recording … through a Behringer Powerplay Pro which can deliver sound for up to 8 sets of earphones. Again, a product which Behringer have got right.

For general Midi music writing to computer and overall listening [after my self imposed 10pm cut-off] I use Sennheiser lightweight earphones … excellent quality but slightly lacking in SPL … this is a benefit as it makes me keep the level down from ‘blood dripping from the ears’ … which can cause long term ear damage. The softness of the earpieces is excellent for lengthy sessions.

Sennheiser HD400 and HD414 … classic earphones with soft, soft foam … http://www.sennheiser.co.uk

Beyer Dynamic DT150 have an extended bass frequency range … but I have never found that necessary for studio work.

Free|tips writing acting|music|producing|songwriting PreAmps?

You will notice I still do not dwell on Pre-Amps … mainly because I have never found the necessity to use them … I consider the pre-amps on the Digidesign 003 to be fine … for the type of commercial money making productions I do.

Free|tips writing acting|music|producing|songwriting  So what else do I need to get started in your home studio?

A good pop shield in front of the microphone -  many are available and quite cheap.  Check out www.Studiospares.com

The incredible Red 100 from StudioSpares in the UK is a sensational microphone reflection filter that sits behind the microphone and stops any unwanted echoes and reflections from entering the back of the microphone.  Stunning.

 Free|tips writing acting|music|producing|songwriting Red 100 reflection filter

Free|tips writing acting|music|producing|songwriting  And finally in your home studio?

The CD recorder?

Which make?  I have never been convinced that one is better than the other ... I still use my very first recorder .. a Phillips ... must be twelve years old.  And then, I bought it second hand as they were horrendously expensive when they first came on the market ... and no one really knew whether the format would become Industry Standard.

Just a word of warning ... never believe the argument that MP3, or, worse still, Mini Disc, is as good as 41.4Hz CD ... it simply is not!

 

All members of The Serious Writers Guild can call Dec direct on his private phone line to his desk to discuss any points. 

So .....

Best of luck with your next project ... with the gear above there is no excuse ... oh, except that you have to know what a hit record is and how to write it and produce it .... where do you learn that?  The Serious Writers Guild ... membership simply by purchasing "How To Make A $Million From Your Music"

By the way, never master your own material ... bring it to the best Mastering Suite you can afford.  a home studio can produce stunning top quality results but the Mastering Suite is where the 'fairy dust' is liberally sprinkled.

      Regards from Dec

 

The idea for this article on home studios was from songwriting and music making members of The Serious Writers Guild.  It gives an idea of the benefits of belonging to the Guild.  You can join simply by purchasing the ten month programme 'How to Make A $Million From Your Music' at www.makehits.co.uk/swgappsecure.htm

 

Get Dec to look at your recording skills, writing skills..... show you the quickest way to stardom.

A full day's Consultation with Dec ... he will show you what you are doing right and what you are doing wrong ... this is a total short cut to fame and fortune.

 

References:

This Article was written by Dec Cluskey

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